2013 Horizons.

Exhibited at: 

-South Africa, Port Elizabeth, Personal exhibition “Horizons”, Alliance Francaise, 12/2013;

-Permanent collection at Port Elizabeth, South Africa, Archive and Exhibition Centre, NMMU Second Ave.

Published in: ARCHITECTURE SA, n65 January/February 2014, Magda Minguzzi, “Horizons, Up to what point can the eye read the absence of the missing figure?"

2012 "The Garden of Eden. The Garden of Eden is the first place, in Western culture, where a woman and a man meet each other, they recognize and bind them with all their expectations, desires, doubts, weaknesses, fragility linked to a time projected into the future.

This paper’s garden is the place where it can be possible to make a rite of passage that will interest those who cross this threshold: recapture the innocence of ‘”beginning,” the human fragility accepted without reservation.

Exhibited at: 

Italy, Lugo (Ravenna), Personal installation “Garden of Eden” in “lugocontemporanea” cultural festival, curated by J. De Leo, F. Ranieri, M. Moscon.

-Italy, Villa Carcina (Brescia), Personal exhibition “Tracce di luce”, Villa Glisenti, 15-12-2012/07-01-2013 curated by A. Rizzinelli

2011 “IMPRESSIONS” begins in 2011 by an investigation into the possibility of creating relief on a flat surface that can generate shadows.

The research has been articulated by the use of everyday objects whose forms imprinted on hand-made paper and created something new that is completely different from the element that generated them.

Exhibited at: 

-Italy, Alfonsine (Ravenna), Personal exhibition, “Tracce”, Palazzo Marini, 04-25/03/2012, curated by Arts and Culture Comune di Alfonsine;

-Italy, Villa Carcina (Brescia), Personale exhibition “Tracce di luce”, Villa Glisenti, 15-12-2012/07-01-2013 curated by A. Rizzinelli;

- South Africa, Port Elizabeth, Collective exhibition, National Arts Festival Fringe Exhibition: “XPRESSIONS 2014”, Art Gallery.

2011/2012 Transizioni. The subject of this hand made paper art work is Venice: its reflected in the water, the continuous movement of the waves, the recurrence of the tides, the illusory images. I used the precise shape of the basin of Misericordia and the transparency and lightness of abaca.

Master Class in Visual Arts and Design Venice Biennale curated by R. Ajossa and L. Salvi.

Exhibited at: 

-Italy, Alfonsine (Ravenna), Personal exhibition “Tracce”, Palazzo Marini, 04-25/03/2012, curated by Arts and Culture Comune di Alfonsine;

-Italy, Villa Carcina (Brescia), Personal exhibition “Tracce di luce”, Villa Glisenti, 15-12-2012/07-01-2013 curated by A. Rizzinelli;

-South Africa, Port Elizabeth, Collective exhibition, “Food for Thought”, ArtGallery, partners of the ARTS Journey-Nelson Mandela Bay, 05 March -12 April 2014